Corot Camille The Theater Painting ID:: 38093 new11/Corot Camille-346925.jpg
The Theater mk131
1825
Oil on canvas
Corot Camille The forum of the garden farnes Painting ID:: 38094 new11/Corot Camille-623777.jpg
The forum of the garden farnes mk131
1826
it painted from life since the palation
Corot Camille The bridge of Narnl Painting ID:: 38095 new11/Corot Camille-352478.jpg
The bridge of Narnl mk131
1826
It impressed by the contrast extre the ruin of this bridge gypsy temperate the Nera there the vast extension of the virgin landscape there abrupt in known environment.
Corot Camille The bridge of Narni. Painting ID:: 38096 new11/Corot Camille-784726.jpg
The bridge of Narni. mk131
1827
The critica hectares opuesto el boceto of 1826
Corot Camille The theater from garden it Farnes Painting ID:: 38097 new11/Corot Camille-223899.jpg
The theater from garden it Farnes mk131
1826
Another of tired views painted that hill from the anus of the palation
Corot Camille The castle of Sant Angelo and the Tiber Painting ID:: 38098 new11/Corot Camille-957937.jpg
The castle of Sant Angelo and the Tiber mk131
1826-1828
Corot considered always querencia the uniform lights
Corot Camille The Trinita ai Monti Painting ID:: 38099 new11/Corot Camille-656378.jpg
The Trinita ai Monti mk131
1826-1828
Another good example of the role that the values play in the work of Corot.
Corot Camille Manana in Venice Painting ID:: 38100 new11/Corot Camille-273549.jpg
Manana in Venice mk131
1834
It painted during the second trip to ltalia, Corot Amuses the azure light.
Corot Camille The walk of Poussin Campina of Rome Painting ID:: 38101 new11/Corot Camille-448575.jpg
The walk of Poussin Campina of Rome mk131
1826-1828
outlines rapidos of the natural one that show the liberty of corot when itself is not faced to a formal picture
Corot Camille Ischa since the slopes of the mount Epomeo Painting ID:: 38102 new11/Corot Camille-524755.jpg
Ischa since the slopes of the mount Epomeo mk131
1828
Two pochadeso outlines rapidos of the natural one that show the liberty of corot when itself is not faced to a formal picture
Corot Camille Florence Since the Gardens of Boboli Painting ID:: 38103 new11/Corot Camille-732456.jpg
Florence Since the Gardens of Boboli mk131
1835-1840
The two arboles in first I finish they initiate a sequence of vertical references that contnuan al fund in the campanle
Volterra mk131
1834
The Contraposicion of the solid wooded one and the city, as emerging after the, gives rise to two processing pictoricos different
Corot Camille Tivoli The gardens of the village Painting ID:: 38105 new11/Corot Camille-622334.jpg
Tivoli The gardens of the village mk131
1843
Composed with the severity of the landscape painters clasicos, but without losing an apice of the immediacy of the free air
Corot Camille The Waterfalls Painting ID:: 38106 new11/Corot Camille-786776.jpg
The Waterfalls mk131
1843
As the previous one, was painted during the I finalize trip of corot to ltalia.
Corot Camille Homero and the shepherds Painting ID:: 38107 new11/Corot Camille-696296.jpg
Homero and the shepherds mk131
1845
It inspired in a poem of Andre chenier, Corot yields aqui tribute al classicist teaching of Bertin and in finalizes instance, of poussin and cludio of lorraine.
Corot Camille The dance of the nymphs Painting ID:: 38108 new11/Corot Camille-375748.jpg
The dance of the nymphs mk131
Hacial 1850 Exhibited with flat exito in the Salon of 1851 This work consagraria at last the fame of corot, Although in a well different registration from the one that testifies its
better qualities.
Nymph Reclined mk131
Toward 1857 they dealt with the smooth light and the espirutu poetico own of its landscapes bucolicos. The prodigious naked one that dominates the composicion overflows with a lot of the somewhat cloying conventionality of that part of the work of corot.
Corot Camille The Baptism of Christ Painting ID:: 38110 new11/Corot Camille-973975.jpg
The Baptism of Christ mk131
1847 Painted by official assignment for the baptismal chapel of San Nicolas of Chardonnet, in Paris, Is one of the
scarce incursions of corot in to painting decorative.
Corot Camille I remember of Mortefontaine Painting ID:: 38111 new11/Corot Camille-863929.jpg
I remember of Mortefontaine mk131
Toward 1864 Mortefontaine is a jardin picturesque al north of Paris created in the 17th century and plagued of lakes and rarely Vegetable species.
Corot Camille The morning star Painting ID:: 38112 new11/Corot Camille-369838.jpg
The morning star mk131
1864 inspired in some verses of Alfred of Musset al way of the False bard Ossian, so diffused by the Romanticism in every Europe.
Corot Camille The road of Without-him-Noble Painting ID:: 38113 new11/Corot Camille-548996.jpg
The road of Without-him-Noble mk131
Near Doual 1873 In some cases, Corot explores a via intermediate and of buy-miso between the compositions liricas and the nature observed in direct
Corot Camille View of Saint-It Painting ID:: 38114 new11/Corot Camille-666678.jpg
View of Saint-It mk131
1833 Corot continuous developing in France the same way of Representing cities in lajanas views panoramicas learned in ltalia the decada previous
French Realist Painter ,
1796-1875
French painter, draughtsman and printmaker. After a classical education at the Coll?ge de Rouen, where he did not distinguish himself, and an unsuccessful apprenticeship with two drapers, Corot was allowed to devote himself to painting at the age of 26. He was given some money that had been intended for his sister, who had died in 1821, and this, together with what we must assume was his family's continued generosity, freed him from financial worries and from having to sell his paintings to earn a living. Corot chose to follow a modified academic course of training. He did not enrol in the Ecole des Beaux-Arts but studied instead with Achille Etna Michallon and, after Michallon's death in 1822, with Jean-Victor Bertin. Both had been pupils of Pierre-Henri Valenciennes, and, although in later years Corot denied that he had learnt anything of value from his teachers